Arts and Culture
Druid's Spell
- 01 October 1983
The Derek Hill Collection
- 01 September 1983
- Colm Toibin
Old Father, Old Artificer
- 01 July 1983
- Bruce Arnold
Bowie Live
- 01 July 1983
- Michael Dwyer
It's a cool and cloudy Friday night as our taxi cruises to a halt outside the Wembley Arena. Hundreds of hopefuls are hanging around in the unlikely chance of getting a ticket at some kind of reasonable price. The ticket touts have them, and they're all over the place asking up to £400 for a £10 ticket. Inside, stall-sellers are flogging every conceivable form of Bowie paraphernalia. Earrings, key-rings, various teeshirts, glossy souvenir programmes. Money changes hands even faster at several bars dispensing pint-size plastic cups of bitter and lager.
Add a commentMichael Mulcahy: Images of the Navigator
- 01 June 1983
- John Hutchinson
Feeney Rides Again
- 01 June 1983
- Colm Toibin
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Show-bands, Books And the Great Patriotic War
- 01 April 1983
- Anthony Cronin
Robert Ballagh: upstairs, downstairs
- 01 April 1983
- Colm Toibin
The reader of Joyce visiting Dublin for the first time will know what to look for: the river, the National Library, the Bailey or the tower in Sandymount. Similarly, the visitor to Robert Ballagh's house will be watching out for the key items that appear in his autobiographical paintings. There will have to be an upstairs and a downstairs in his house: the paintings say so. There will have to be a spiral staircase in his house: it runs through two of the paintings like the Liffey through "Finnegans Wake". There will have been some recent changes in the decor because one recent painting is called "After Modernisation". And if you look carefully you will see that the room in "Inside No 3" has been enlarged.
Add a commentBrian Bourke: Paintings of J with a Basque Hat
- 01 April 1983
- Colm Toibin
In Brian Bourke's recent exhibition at the Taylor Galleries in Dublin there are nearly forty paintings and drawings of his wife Jay Murphy. Most of them are entitled "Portrait of J with a Basque Hat" and in these Jay Murphy is wearing this extraordinary hat. She's wearing it again and again all over the walls of two rooms of the gallery. Everywhere you look, she's wearing it. The show at first looks very funny; Brian Bourke has made her face into a caricature of itself, almost a cartoon. It's only when you stop looking at a wall or these paintings and start looking at one of them, you realise that Bourke's intentions are serious.
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